March 17, 2014
Just In Case You Forgot To Wear Green to the Office TodayPosted by Cathy Heck
When I forget to wear green on St. Patrick’s Day, I just say it’s on my underwear. I know that’s a little green lie, but when your office is in your home, your co-workers might be five years old, and the idea of being allowed to pinch mom is just too appealing … all … day … long. (My co-workers are no longer little, but we did have five-year olds on staff for a very long time.)
So if you still have little colleagues, feel free to use my underwear-decor excuse. However, if you are afraid it’s bad luck to lie on St. Patrick’s Day, here are some slivers of green from the leprechans at the Cathy Heck Studios in Texas, Virginia and California.
To avoid a pinch, you can just reach up and touch your screen, saying, “You can’t pinch me, I’m wearing my green in pixels today.” That counts, right? I mean it IS 2014.
Enjoy a pinchless St. Pat’s, and we hope you receive some excellent iLuck today and throughout the year.
Note: We do not have a new puppy … this is a #memory monday photo of Neville when he was but a wee lad, before he realized that he would have to spend the rest of his life dressing up as everyone from the Easter bunny to Neville O’Heck.
Wishing a safe and happy St. Patrick’s Day to all!
March 14, 2014
Eggs: ‘Tis the Season for Fresh and NewPosted by Cathy Heck
A few days ago, a dear friend brought me these beautiful farm-fresh eggs to brighten my day. Not only did they bring a smile … but also an excellent springtime color story.
Cath: “Thank you and wow, let me just save these colors before we turn them into Kiki’s Delicious Deviled Eggs.”
Then, the very next day, this flannel fabric strike-off (above) arrived in our studio west for corrections and review. We would love to tell you that the eggs above were the inspiration for the Humpties below, but these drawings were completed months ago. So, perhaps this is actually a case of reverse-inspiration … or maybe scrambled déja vu.
In any case, they both are examples of happy new things to come. Hope you are having a little hint of springtime in your neck of the woods.
P.S. You can enjoy these soft flannels all over again in the late spring when they hit the market as part of our upcoming collection, Nursery Rhyme Kingdom, coming out with David Textiles.
P.P.S. Here’s the recipe for Kiki’s Delicious Deviled Eggs, and don’t worry, these are just as delicious with eggs of a more subtle color story.
Note: Kiki was Greek, and added Cavender’s to everything, but if you don’t have any on hand, these are still tasty, just not so Greek. From time to time, we have also added a tiny bit of lemon juice for a little extra zing. As you can see, this is one of those recipes that is slightly different every time you make it. But always delicious.
March 6, 2014
New Hilltop Garden Bunny Collection with Pottery BarnPosted by Ellen Heck
Now that Fat Tuesday is behind us, it’s time to start planning for Easter brunch, and the decor surrounding it.
We have one more exciting collection debut this spring with Pottery Barn – Hilltop Garden. It’s actually an expansion of last year’s bunny themed group, with some additional pillows, a set of ceramic plates, a welcome mat, and various table linens.
Visit Pottery Barn’s BLOG, Inside & Out, to read a fun little behind the design feature on the group here. Happy spring!
March 4, 2014
Delicious Memories of New Orleans on Fat TuesdayPosted by Cathy Heck
Today is Fat Tuesday. Not only are you allowed to eat all things fat today, but it is encouraged. You gotta love a day like that.
As you know, I am a big fan of bac_ _. But when this fine porcine fellow showed up on our blog, I thought maybe I should try to think of some alternate fats this year. This should not be a problem, because I am also an admirer of all things buttered. Bring on the dairy.
I recommend starting your day of debauchery with a nice big slice of your last King Cake of the season … buttered, of course. We lived in New Orleans when Ellen was a little girl, and we loved every delicious minute of it. Not only did we catch millions of Mardi Gras beads to stock our dress-up box for the next 20 years, but we ate plenty of fat on Fat Tuesday … and maybe on other days.
Below is a photo of Ellen post-parade. Her sisters had not arrived yet, so she had an overflowing box of beads. In fact, when the next two Hecklettes did arrive, we had a lifetime supply of beads for every occasion in need of adornment.
From all of us at Cathy Heck Studio, we hope your Fat Tuesday is filled with friends, family, shiny beads, and the fat of your choosing … even if it’s you-know-what.
February 28, 2014
Printmaking Class at the Rusty BarnPosted by Cathy Heck
Our printmaking-in-heaven class in Santa Barbara is over and Ellen and I are back in our respective studios–renewed, rejuvenated and remembering the fun. The Rusty Barn was an amazing place to make art. And, Ellen was a thoughtful teacher for the Combination Woodcut and Drypoint Workshop held last weekend for a group of talented artists. Here is the story of our three-day printarama from the perspective of the mom-student and daughter-teacher.
AN INTERVIEW WITH EACH OTHER
Cathy: Ellen, I know it’s probably hard to choose, but who would you say was your favorite student?
Ellen: Well, Mom … it was definitely you.
Cathy: Are you just saying that because I brought you some Peeps?
Ellen: No, you really did listen carefully, and follow instructions … most of the time.
Photo below: Cathy pulls a woodblock print … mostly following directions–my print is sideways and on back of paper. This does not happen again. Learning from mistakes is a silver lining.
Ellen: Mom, can you tell us what you learned about printmaking in pictures and words?
Cathy: I will be delighted to share. First, the teacher (Ellen) asked us to introduce ourselves and tell a bit of our art histories. I was definitely the least experienced in printmaking, but I had come to the class with enthusiasm and some new tools. (More about my tools later.)
Photo below: Some of us working at one of the inking tables in the bright and cheerful art barn.
Cathy: First we learned how to use our drypoint tools to etch a copper plate. We also learned that the soon-to-be-extinct phone book page is an excellent tool for wiping down the copper before printing.
Photo below left: Ellen demonstrates copper plate prep with a smile. Below right: My plate becoming shiny bright from the K section of the Santa Barbara phone book.
Ellen: Mom, you really picked up where you left off thirty years ago with the drypoint tools … how did you like the new experience of woodblock printing?
Cathy: Not my favorite. I was definitely more comfortable carving into copper than into wood. I will go ahead and admit right here that when I started the woodcutting stage, my wood splintered all over the place. I quickly called the teacher: “Ellen, I don’t think I can be a woodcutter.” Ellen said, “Let me see your tools. Oh dear, Mom, I think you accidentally bought jewelry carving tools.” I replied, “Uh-oh.” Ellen gently assured me: “But don’t worry. I can set you up with some proper tools.” (Whew! It’s good to know the teacher.)
Here are some photos below of my painstaking and painful wood carving attempt. (And these are even with the correct tools!) I realized after the last wood curl that I had not been making the proper rocking motion needed for pleasurable wood carving zen. I was more of a wood hacker than wood carver. I can assure you that I will not be quitting my day job!
Photo below left: chopped eggplant. Photo below right: the textbook method for NOT cutting wood to avoid gouging other hand. (Fortunately I had not gouged my hand … knock on woodblock.) Lower photo: Inking the wood block.
Ellen: Although you were sort of fighting your woodblock, didn’t you have fun with the final surprise prints?
Cathy: I did! I love that about printmaking. No matter how much one tries to control the line, the plates and inks add their own artistic marks. It was a collaboration between me and my materials … the artist, the smooth copper plate, the jiggety line of the drypoint tool, and the stubborn wood block that would not mind me. Plus, remembering to write backwards!
Cathy: I think my favorite print of the day was the one with all of our practice marks and your excellent cupcake for demonstrating all the different phases. What did you think of that one?
Ellen: I know. That’s what is so great about printmaking … even a sample print might turn out to be a masterpiece!
Photos below: Our sample piece upon which all of the artists practiced using different tools and pressures. The final print demonstrates that removing or softening lines (with burnishing) can be as important as creating them.
Cathy: What was your favorite part of teaching the three-day print workshop?
Ellen: There were so many favorite parts. I loved getting to meet new artists (now friends) and watch them successfully engage with this uncommon combination of printmedia. The variety of responses to this technique was inspirational, and I know I learned a lot. It was also great to be able to spend quality time with Leslie Lewis Sigler, who was responsible for introducing me to Holli Harmon and Mary Ince, and who was a huge part of Cathy Heck Studio back in the days before the Heck sisters joined up.
Photo lower left: Ellen cheers on Leslie as she examines her first reveal. Lower right: Ellen bonding with Bruiser, who was not supposed to receive treats. (We are pretty sure Ellen accidentally gave some snacks to this cute studio pup. Lower photo: Ellen standing between new friends, Mary Ince and Holli Harmon, who are the artists-in-residence of the wonderful Rusty Barn studio.
Cathy and Ellen: Thank you to everyone who participated in the art learning, art making and art sharing. We loved every minute.
February 21, 2014
Printmaking Thirty Years LaterPosted by Cathy Heck
I am so excited to be heading to California to take a printmaking class from a printmaker that I know, Ellen Heck, the co-author of this very blog. Yes, the mom-artist will be learning from the daughter-artist.
Ellen is teaching a Combination Woodcut and Drypoint Workshop at The Rusty Barn in Santa Barbara. And, I was lucky enough to be accepted. (I think it might have been hard for them to turn down the mom.)
Interestingly, 30 years ago, almost exactly, I was taking my first printmaking class at the School of Visual Arts in New York in the evenings, after my day job as a freelance illustrator. When I finished the first session, I asked my teacher this, “Um, I just learned that I am pregnant. Should I take the next session, since it involves chemicals?” Teacher: “Um, no.” So, happily for that baby, who was Ellen by the way, I did not print away her brain cells. (Note: I am happy to report that printmaking has come a long way, and the use of chemicals today is far less toxic.)
And, if you are a mom, you might guess that I did not have a chance to take another printmaking class until … now. Thus, below is my first etching (1983) and (with the exception of a few more class projects) my last.
For our first project at SVA, we just drew what we could see. I made an etching of my shoe. (I loved those Tretorns. I wore different versions for years.) For my new class, I can’t decide what to draw. Should I continue my shoe saga? Birds? Flowers? Food? Food could be good. Ellen suggested a self-portrait, but I keep thinking about the sound I make when I accidentally turn my phone camera toward myself, “Aaaaah.” It’s just so startling.
No matter what I decide to draw, I am definitely prepared. Here are my supplies ready to go: various knives and chisels, pencils, erasers, brayers, and even the very apron that I used in New York (the red one) … the white one is from one of our trade shows–I knew it would come in handy one day. I am also taking one Peep for the teacher. I’m not trying to bribe her, but I know she likes Peeps and if she happens to give me some special attention, well, so be it.
So California, here I come, with chisels and knives … and, yes, I’m pretty sure that my luggage will be inspected. If they don’t confiscate my new tools, I will send an update with my etching/woodcutting/snacking progress. I will also let you know if my teacher gives me an A.
February 19, 2014
The Bewildered Gardener: Clockwork CamelliasPosted by Cathy Heck
As you know, I am an accidental gardener. Thus, every single year, on February 15ish, when our camellia bush puts on the show dog, I am simply amazed. It’s like clockwork. All the other flowering shrubs are still getting their beauty sleeps, and yet the camellia thinks it’s time to say, “HELLO DAAHLING!” (I think that’s how she might say it, if she could talk.)
And, it’s possible that our show-off Southern florabelle must know she has a fan club. Of all of our Pinterest pins, this one (shown below) has been re-pinned the most. We have even had a bride-to-be contact us to find out the way she could replicate these for her wedding. We were proud.
If you would like to receive some excellent camellia decor cred, you can try this treatment above: stemless wine goblets (from Target $9.99) + camellia blooms + water = perfect. And, perfectly easy. Plus, when they have gone to camellia heaven, you can use your wine goblets for … well, wine … perhaps a rosé in honor of the flowers that christened them.
If your blooms are a bit smaller, as ours are this year, you can put several in one bowl. I picked these three today. They are happily floating together emanating just a faint scent … and hint of springtime to come.
February 14, 2014
Happy Valentine’s Day from Cathy Heck StudioPosted by Cathy Heck
Hope your day is full of hugs, kisses and chocolate! From your Cathy Heck Studio valentines.
February 7, 2014
Studio Break: James Turrell’s Skyspace in Austin, TexasPosted by Cathy Heck
Our new official full-time studio member, Julianna, is our blog guest today. Since we have been chained to our computers all week, Jim decided to kidnap us for a forced zen moment at exactly 5:32 on Wednesday. Here is Julianna’s account.
There is a lot going on in the studio as of late. New collections are brewing, our workspace is undergoing a huge pre-spring spring cleaning (both digitally and physically), and I am now present in the studio (both digitally and physically). With our noses to the e-grindstones, Jim decided to switch things up and instead of the traditional Tuesday night yoga session, we all got our zen on at the James Turrell Skyspace, The Color Inside, at the University of Texas.
The Skyspace is an observatory in the middle of the UT campus, and anyone can visit to watch the sky change through an oculus. It is best to go at either sunrise or sunset, because during those times, colored lights illuminate the walls, which contrast with the natural light that is seen through the oculus. (Photos included here were quietly taken with my iPhone. No clicking allowed.)
The entire presentation lasts about an hour. I know what you are thinking: “Staring through a hole for an hour–I don’t think so.” Well, first of all it’s free, so, that’s a bargain. And, secondly, I never felt bored. It was like watching Mother Nature creating a color theory assignment. How was it possible that the sky looked as if it was getting lighter, even though I knew it was getting darker outside?
If you are in Austin and are looking for something to do that is both inspiring and calming all at the same time, I really recommend the Skyspace. Also, there is an added bonus–the black basalt seats are heated. And, if you are really lucky, like I was, as the sun sets, a faint scent of fried chicken will wash over you, courtesy of the Chick-fil-A in the student center, three stories below. I hope you enjoy this multi-sensorial evening as much as we did.
Note: It is a good idea to make a reservation, because only about 25 people can comfortably sit upon the warm basalt benches for this zen event. Namaste lumos!
February 4, 2014
Painterly Birds: A New Spring Collection for Pottery BarnPosted by Ellen Heck
Spring feels like it’s in full swing here in Berkeley, where the magnolia trees are bursting with their palm-sized leathery petals and all the ornamental pears look like brides. It feels like the perfect time to share some glamour shots of one of the new Spring groups we’ve designed with Pottery Barn for 2014.
This new painterly bird group is light and colorful with splashes of flowers and paint. We enjoyed working with Pottery Barn last year on a small group of bunny-themed pillows and towels, so it was fun to work with them again on a collection that has a completely different feel. Here is some of the melamine dinnerware. I think it would be fun to eat bright fruit off of these plates – pineapple chunks and green apples.
And here is the bedding collection, looking crisp and fresh (and, thanks to PB) gorgeously photographed. I think they did an amazing job translating all of the many watercolor hues onto fabric.
Stay tuned for some more new products next week. But for now, imagine falling into this cool, crisply-ironed pillow for an amazing afternoon nap… I’m talking to you, Cathy Heck! :)« Newer Posts — Older Posts »